Operetta Review - Feb. 18/03

TORONTO OPERETTA THEATRE - "CECILIA VALDES"

 

Toronto Operetta Theatre presented an excellent semi-staged version of the Singspiel Cubano "Cecilia Valdes" over the weekend. Written by Cuban composer Gonzalo Roig in 1932, the zarzuela is filled with wonderfully infectious folkloric rhythms and dances. In his day, Roig was lionized as the composer of the famous song "Quiereme Mucho" which the company performed as an encore, and invited the audience to sing along.

 

The story is bizarre, to say the least. Set in 1830, the beautiful mulatto girl Cecilia is in love with the aristocratic white student Leonardo, unaware that he is her half-brother. Cecilia, in turn, is loved by the black musician Pimienta. When the betrayed Cecilia gives birth to a child, Pimienta vows revenge, and kills Leonardo on the latter's wedding day to fellow aristocrat Isabel. In between, we got a wonderful array of tuneful songs and dances skilfully guided by musical director and pianist José Hernández.

 

In a stunning coup, TOT found a beautiful mulatto for the part of Cecilia. Dana Campbell not only possesses a pretty lyric soprano, she gave a powerful and dramatic performance. Her Leonardo, import Cuban tenor Adolfo Casas, has a ringing voice despite nearing the end of his career. Mezzo-soprano Gisèle Fredette stole the show as the mad Dolores, with the members of the excellent chorus filling in the other parts including promising baritone Stuart Graham and mezzo-soprano Lauren Segal as Pimienta and Isabel respectively. Guillermo Silva-Marin was excellent as the droll narrator.

 

I'm Paula Citron, arts reviewer for CLASSICAL 96.3 FM.

 

 

 

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